Last week, the floodgates were opened on official news from both Nikon and DJI on their newest tech after what seemed to be months of leaks and rumors. Nikon offered up their new mirrorless camera line, the Z Series, a clear response to Sony's own mirrorless lineup and the shift that it they have caused in the industry by rapidly delivering multiple iterations of cameras over the past few years. 

I've made it no secret that I love Los Angeles. It's a beautiful, sprawling city with so much history, and a hub of the entertainment world. Working with entertainers and talent, giving them images that they can use for promo, marketing and behind the scenes, it's a city I want to get way more familiar navigating. 

It's a new week, which means it's time for a new episode of Starter Series, my YouTube series based on finding affordable equipment to help you create better photo and video content. This week, the topic of interest is the 35mm f/1.8 lens, and for this video, I'm using the DX cropped sensor version.

There have been a bunch of projects that I have been working on for the past few weeks. I've been reaching out to mentors and people with whom I'd love to collaborate. That time has been spent talking to fellow creatives in adjacent fields, asking questions on how to make something that you, dear reader, can get value from and that is authentic to myself. 

When it comes to future work, I'm looking at video monopods. They cover so many bases, it's hard to compete for run and gun jobs. Here are three reasons why video monopods are wonderful and would make a great addition to your kit.